Olivia created choreography focusing on the female form and allocated outfits to match phrases of movement with the models ‘looks’.
Assistant - Jessica Lewis - 2018
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This advert won the accolade for one of the ‘most beautiful adverts of 2019’ in Italian Vogue. This `La La Land’-inspired collection of 4 episodes were released in the build-up to Christmas 2019. Each episode was viewed over 1million times in the first 24 hours - 2019.
This video is part 3 - ‘The Apology’ - Choreographer - Olivia Shouler
Olivia and Nathaniel Brown created a ‘Street Party’ inspired piece to be shown to millions of viewers of the National Lottery for the Queen’s Royal Jubilee. Choreographing to '21 Reasons’ by Ella Henderson and Nathan Dawe, Olivia assisted with choreographing the backing dancer choreography as well as giving movement direction and staging to Ella Henderson - 2022.
Choreographer - Nathaniel Jones - Assistant Choregrapher - Olivia Shouler - Artistic Director - Storm Creatives
Olivia assisted Kenrick Sandy in this advert featuring Pharrell Williams and David Beckham. She worked with over 200 dancers, ensuring that the choreography was accurate and camera-ready - 2018
Head Dance Captain for the UEFA Champions League Final Kickoff Show (with PEPSI). As well as performing in the show, Olivia liaised with the choreography team, advised on notes, helped with spacing and logistics, ensuring that 150 dancers were performance-ready - 2024
Artist - Lenny Kravitz
Artistic Director - Fatima Robinson
Olivia choreographed and performed the spoken word and movement piece ‘H.O.ME’ with Sarah Linsey at Ted x London Women - Sadlers Wells - February 2023
Photograph - Karla Gowlett
Music - Trust by Martin Herzberg & Rubin Henkel
Assistant choreographer for episode 2 in the tv series Mood. Olivia also danced in episode 6. This is a drama created by Nicole Lecky about an aspiring musician named Sasha.
Directed by Dawn Shadforth & Stroma Cairns
Choreographer - Kenrick Sandy - Assistant Choreographer - Olivia Shouler
Bonafide Films - 2022
Choreography by Olivia Shouler
Creative Team - May 2025
Inspired by Britney Spears and focusing on surveillance, celebrity, stardom and privacy, Olivia was the choreographer and movement director for this piece by Claire Gaydon. Camden People’s Theatre across May-June 2024. Since showing, it has been nominated for an Offie Award.
Photo by Harry Elletson
The Artist Development Programme (ADP) is a two-week summer programme produced by Hackney Empire: Creative Futures. In just twelve days a company of 45 young artists and creatives, aged 14 – 19 years old, are mentored by industry professionals to create and present a sensational piece of new and original musical theatre. Olivia was the choreographer and movement director in 2019 and for the last three years on the musicals; A Direct Message (2022), UNmuted (2023), A Long Goodbye (2024)
Photography - Fabrice Bourgelle
Director; Yamin Choudury Musical Director; Ty Lowe - Hackney Empire - August 2023
Director; Yamin Choudury Musical Director; Ty Lowe - Hackney Empire - August 2024
SURVEILLANCE CITY - Photo by Fabrice Bourgelle
Rehearsal-flow - photo by Fabrice Bourgelle
RIOT scene - photo by Fabric Bourgelle
Olivia choreographed the musical ‘A Christmas Carol’ at the Rose Theatre in Kingston - December 2022
Adapted by Morgan Lloyd Malcolm
Director - Rosie Jones
Composer - Eamonn O’Dwyer
Photo by Mark Douet
Olivia was the choreographer and movement director for this new musical written by Chris Bush and Directed by Elin Schofield, showing in November ‘24 to January ‘25
Olivia gave movement direction for High School Fansical - showing in Edinburgh Fringe Festival - August 2023. To remixes and re-works of High School Musical songs - this piece explores the protagonist (Vladiqueer’s) search for their identity, understanding and acceptance. Queer joy at it’s finest created and performed by Eleanor Barr-Sim.
Olivia assisted Omar Awuah in choreographing a Wonder Woman-inspired piece that was performed at the Licensing Awards Ceremony. Olivia created a variety of sections for this performance and worked closely with the client (Warner Brothers) to ensure that their vision was met.
